20
Mar

Don’t Talk To The Cops for City Arts

Posted by John Keatley / Filed under Editorial Work, Tear Sheets

Don't Talk To The Cops shot for the cover of City Arts by photographer John Keatley.

For those of you who are fellow Seattlites, you may have noticed City Arts has been gaining great momentum as the go-to arts publication around town.  They have been doing a great job covering culture, art, and music, and are not afraid of going out on a creative limb so-to-speak, to bring their audience something fresh and original.  I got to shoot the Seattle based hip hop group Don’t Talk To The Cops for the cover of the March issue.  This was a really fun shoot, and I was excited to get to throw in a slight nod to those amazing laser portrait backgrounds we all coveted back in the 80′s.  I think the hardest part was picking out the right turtleneck and NFL game day jacket.  After that was decided, it was smooth sailing and a lot of laughing.  I can’t say I’ve made it through the article exposing bubble tea, but the cover image is certainly reason enough for picking it up :) (not to mention it’s free).

Big thanks to Art director Dan Paulus, editor in chief Leah Baltus, and Don’t Talk To The Cops.  This shoot was a fun collaboration of talking through ideas and inspirations with Dan and Leah, and I love how it turned out.  I met Dan and Leah for the first time, when I was photographed as part of the City Arts Future List late last year.  Retouching by Gigantic Squid.

29
Jun

Vince Mira Live in Seattle

Posted by John Keatley / Filed under Celebrity, Tear Sheets

Vince Mira Portrait.  Tear Sheet from Seattle Metropolitan.  Photo by John Keatley.

Vince Mira Portrait at the Gum Wall in Post Alley.  Photo by John Keatley.

I have really been looking forward to posting these portraits and videos.  I had so much fun working on this assignment with Vince, and as an added bonus, the story is one of those rare page turners that doesn’t come around all that often in a magazine.  For me, it’s right up there with the Wired article on Dan Kaminsky which I worked on last year.  Here is the intro for Vince’s story, which is in the July 2009 issue of Seattle Metropolitan.  The link to the entire article is further down.

Billed as the Second Coming of Johnny Cash, a teenager from Federal Way wowed rock stars, morning news shows, Ellen DeGeneres, and the Cash estate.  There’s just one problem: Vince Mira is done parroting the Man in Black.

There was a moment in September 2007 at the Cash Cabin, the studio built by the late Johnny Cash outside Nashville, when everyone froze. In the room were musicians intimately tied to Cash and his music—his son John Carter Cash, his bass player Dave Roe, and Jamie Hartford, who played guitar in the Cash biopic Walk the Line. Vince Mira, the Federal Way teen flown in for the recording session, had just crooned the last line of his “Cold Hearted Woman,” a twangy harangue against a cruelly apathetic succubus (“…as far as you are isn’t far enough for me”), leaving his audience speechless.

Finally, Hartford, who’d been scribbling music dictation in a notebook, dropped his pen and paper and turned to the producer. “John. Carter. Cash. Does that freak you out?” John looked up, “Yeah, that freaks me out.”

John Carter had just heard a familiar voice pour from the mouth of the teenager. The producer had agreed to record an album with the talented teen—already making a name for himself with Cash covers—on the condition that “We don’t just record a bunch of my dad’s old songs.” Now, here was Mira performing an original, but his voice, a haunted baritone, was spot-on Johnny Cash.

- James Ross Gardner.  Read the entire article (here).

Before this assignment, I had heard stories over the past couple of years about Vince Mira, the young teenager who was discovered playing Johnny Cash songs on the street.  I had seen the YouTube videos from Ellen (here) Good Morning America and a few others, but I didn’t become a fan until I heard him perform live.  Wow.  This guy is talented.  He is the real deal.  There are a lot of people out there with a gimick, or who sound like someone famous.  But Vince has huge talent, and he can stand on his own.  His similarities to Johnny Cash provided him with a great start, but it’s exciting to see him head out on his own now and show people what he’s got.

The first video above is Vince Mira performing an original song, “I’m a Goin Back Home”.  The second video is a Johnny Cash song, “Folsom Prison Blues”.  Both were performed at the gum wall in Post Alley, Seattle.   I asked Vince to play one of his songs so I could film it, and it didn’t take long at all for a crowd to gather.  After he finished the first song, someone yelled out, “Play ‘Folsom Prison Blues’!”.  Even though he is trying to get away from that, he didn’t seem to mind.

Vince has an album out now, called “The Cash Cabin Sessions“.  It was recorded at the Cash Cabin Studio by John Carter Cash, Johnny Cash’s son.  It’s a great album.   You can also catch Vince every Tuesday night at the Can Can in the Pike Place Market in Seattle.  For now at least.  I don’t know how much longer he will be playing there, as he has already toured with Pearl Jam, and played on some pretty big stages.

Vince Mira – Folsom Prison Blues from John Keatley on Vimeo.
Vince Mira – I’m a Goin Back Home from John Keatley on Vimeo.

* If you are using a blog reader, you may need to visit my actual blog to see the videos show above.

06
Feb

Sub Pop Records, The Sound of Seattle

Posted by John Keatley / Filed under Blog

Sub Pop Records co-founder Jonathan Poneman

I took this portrait of Jonathan Poneman and Megan Jasper for Fortune Small Business last year during the Sub Pop Records 20th anniversary.  Jonathan is the co-founder of Sub Pop (Seattle, WA) and Megan is the VP.  Sub Pop is the original label of Nirvana.  A few other bands who are currently with, or used to be with the label include: Death Cab for Cutie, The Postal Service, The Shins, Flight of the Conchords, The White Stripes and Fleet Foxes.  Thanks for the Fleet Foxes CD by the way!  Great album!

Megan has a pretty funny story about being interviewed by The New York Times back when grunge became popular.  She was asked to define “grunge” words or phrases, and she basically just made everything up.  And they printed it.  On the front page.  There is a video clip about the story (here).