As you may already know, last November I had the privilege of photographing one of the photography greats, Annie Leibovitz. (Here) is an earlier post about my experience photographing her. Then just a few months ago, I found out my portrait of Annie was selected for AP25 (American Photography 25 silver-anniversary competition) which is a selection of the best photographs from 2008. The selected photographs will be compiled in a book this coming November. Having already written about this, I don’t want to be too repetitive, but Annie Leibovitz is in the news again. This time, it was not because she offended someone, or got a celebrity to pose nude. New York Magazine came out with an article this week about Annie, and the hard times that she has come into. Not to make light of a difficult situation, but I am pleased that one of my portraits was licensed for this article. Here is a link to “How Could This Happen to Annie Leibovitz? The $24 million question” written by Andrew Goldman for New York Magazine. It is a fantastic story, and definitely worth reading.
With all of the news flying around about Annie, I decided to take a look at my portraits of her again. This picture in particular has always pulled at me. I have thought about showing it in the past, but there was something that always seemed to make me leave it alone. Looking at it again now, in light of what is going on, it seemed to take on new life. This was one of those moments that came and went in a split second. I had shot several frames already, including the one I have been showing. There was a moment where she didn’t know what to do with her hands, and maybe felt a bit self conscious about being photographed. She quickly rubbed her eyes and pulled her hair back from her face and the moment was gone. I can’t say I captured this image because of some magic of my own. In all honesty, I’m sure it was an accident I caught this. But in this portrait, I see so much honesty and vulnerability. Something not easily captured, regardless of the subject. A good lesson for me: a great portrait isn’t always created by controlling my subject, but rather capturing an organic moment in a controlled setting.
New York Magazine “How Could This Happen to Annie Leibovitz?” http://nymag.com/fashion/09/fall/58346/
*Side Note* Thank you to everyone who has written me about the comments not showing up properly in Safari and Firefox. It looks like the issue has been resolved, and I apologize if you felt that I was ignoring your questions. I may have actually responded, but the comment just didn’t show up properly. It turns out that white text on a white background can be hard to read.