PREDA Foundation

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This is the fourth post in this series.  You can see all of the posts by clicking on the Arts Aftercare tag.

I love and hate these pictures.  From a photographic standpoint, I am really proud of this series of images taken at the PREDA Foundation.  On the other hand, I hate that these pictures need to exist, and that this is a story which needs to be told.  It seems impossible to ignore the devastation and loss of innocence these images also represent.  But fortunately I do see hope in these images as well.  I believe we were created with the capacity to choose great evil, but thankfully we also have the choice to love, which I believe has the power to overcome all else.  At PREDA, I met some wonderful people who have made the decision to simply love, and care for the people who have been exploited and experienced so much devastation.

I arrived at PREDA with only 2 hours to work with before Becker and I had to take a taxi to Angeles City.  It was a bit hectic when we arrived, and we didn’t have much back story or time to prep for this stop.  After meeting Alex, the program director, I asked if I could take a tour and look around.  The tour started in the administrative offices, followed by the kitchen and then some classrooms.  It wasn’t exactly what I was looking for or interested in.  Eventually, we went down a hall and into a large room filled with colorful metal bunk beds and bright blankets.  Half of the room was lined with large windows, streaming in midday light.  As I took it all in, I asked my tour guide what the room was, and she told me it was the girls dorm, for children 9 and under.  To clarify, these are children age 9 and younger who have been sexually abused both commercially and domestically.  Unbelievable.

I started the day expecting to make portraits, but this room was speaking to me, and drawing me in.  I didn’t have my camera with me, and after looking around for a moment, I burst out of the room, and down the hall to get my camera and tripod.  I think my guide thought I was a bit strange, leaving the way I did with no explanation, but I couldn’t move fast enough.  I was in a zone.  I spent maybe the next hour shooting these images of the girls dorm, although it felt like I was only there about 5 minutes.

Girls lockers.

Primal therapy room.

Father Shay, founder of PREDA Foundation in Olongapo, Philippines, on Subic Bay.  Father Shay has dedicated his life to fighting for children who have been sexually exploited both commercially and domestically.  He has been nominated for a Nobel Peace Prize 3 times, and I sincerely hope he is recognized by one in the near future.

I just can’t decide between these two portraits.  It is usually pretty easy for me to make these kind of decisions, but there is something about each of these that I can’t get past.  It doesn’t help that everyone else I have asked have said both as well.  What do you think?

Father Shay’s desk.  Nearly 40 years of hard work has happened here.  I can’t even imagine the phone calls, letters, and meetings that have taken place here over the years.

PREDA Foundation is a service provider for sexually exploited children in Subic Bay, Philippines, which infamous as a destination for sex tourism. From their website:

“In 1974, with Filipino helpers, Fr. Shay Cullen established the PREDA organization (Peoples’ Recovery Empowerment and Development Assistance Inc.) to give shelter and protection and recovery to victims of abuse and more importantly to change this unjust situation in society that abandons children and criminalizes them and prostitutes them or allows them to be abused without getting help and justice.”

PREDA provides many crucial services to the children, including residential care homes organized by age – one for girls as young as 9 years and under.



...being there had to be overwhelming. Thanks for shedding light on the good things that PREDA is doing.

POSTED BY John Waire on 4-19-2012

I vote for the top portrait. He seems to be a little more heroic in the portrait and from what you have said about him, I think that you have to be heroic to take on a crime like that and make an impact.

POSTED BY James Saleska on 4-19-2012

Very engaging, John. The vacancy of the rooms is haunting, but gives a strong voice to the girls and their struggles. Bittersweet and very powerful. Personally, I like the portrait where Father Shay's eyeliner is averted. G.

POSTED BY Geoff Levy on 4-19-2012

Lovely photos - beautifully done. I can see why it's a tough choice between the 2. I personally would go for the first one, as more of Father Shay's character seems to be coming across.

POSTED BY Will G on 4-19-2012

Amazing work. This set, along with your words, brought tears to my eyes!

POSTED BY Brittany on 4-19-2012

For your portrait decision, it's hard to choose not knowing exactly how or where it will be used. However, in case your decision isn't already made: Him staring at the camera puts him in your moment. Showing him staring off into the distance puts you in his moment. Go with being in HIS moment.

POSTED BY Joshua on 4-23-2012

There is both sadness and optimism in the images and the little clues as to the children that reside there allow the viewer to be engaged in the story...wonderfully done. I prefer the last portrait because those that give so much, typically like to be subtle about their recognition and it is a more quiet stoic image ... what a great honor this must have been.

POSTED BY Melanie Rebane Photography on 7-25-2012

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