Loading...
07
Sep

BECU Member Portrait Ad Campaign

Posted by / Filed under Blog

While I didn’t use my iPhone to make any of these member portraits or videos for BECU, it was my iPhone Portrait project that helped shape the direction of this ad campaign by DNA.  It is incredibly gratifying to work on a project like this, when there is a close tie to something as personal as my iPhone Portraits.  Exploring the human face through photography and video is the one thing I have never grown tired of.  Every new person I photograph presents a new opportunity (or sometimes a challenge), and I am always learning from the experience of photographing people.  Below are some of the portraits I made from the nearly 50 people I photographed for this project. Everyone is an actual BECU member. Working with “real” people is a lot of fun for me because they don’t come in with any expectations as to what they think I want them to do. And there are always some surprises, which I think makes the portraits all the more interesting.

If you were watching the summer Olympics this year, you may have seen these commercials, which I directed.  The billboards, bus wraps, posters, etc. are all over Seattle, as well.  Big thanks to BECU and DNA, especially Lianne Onart, Dave Echenoz, Molly Woodruff, and Dan Gross.


BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.
I always try to keep people on their toes and make things as fun as possible. To me, that means taking awkward pictures of the ACD Lianne and BECU member, Kiki.
BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.
My daughter, right as she discovered / I taught her, you can yell, “M&M’s” on set, and they will magically appear.”
BECU Own It credit union ad campaign. Portraits of members by photographer John Keatley.

Big thanks to my wonderful crew. Projects like this are a total team effort. Not to mention it wouldn’t be nearly as fun without all of these great people.
Producer: Kort Havens
Digital Tech: Lonnie Webb
1st Assistant: Brian Jones
2nd Assistant: Peter Hanson
Stylist: Alexis Steinman
Stylist Assistant: Gwen Stubbs
Hair & Makeup Artist: Jenny Verador
Hair & Makeup Artist: Haley Olsen
DP: Matt Daniels
Sound: Scot Charles
PA: Audrey O’Neil
PA: Hugo Garcia
PA Camera: Sacha Benis

13
Dec

The Rider

Posted by / Filed under Personal Work

The Rider by photographer John Keatley.

It didn’t take long for the humans to panic.  Government had been spiraling out of control for 60 years, fueled by greed and corporate corruption.  Mankind had finally taken all it could from the earth, until the earth had nothing left to give.  The humans had long embraced the idea, live for today and take what you want.  The cries of those who recognized the consequences of such behavior were left to the minority and written off as crazy.  Men had convinced themselves they were invincible.  Once the Nelson Report came out, and Amazon’s infrastructure collapsed, people began hoarding resources and grabbing all they could for themselves.  Telecommunications were quickly shut down, and in less than 18 months, the US population had been cut by over 75 percent.  Riots, fires, murder, starvation and sickness spread with very little resistance.

As life has always demonstrated, sometimes it takes the loss of one thing to gain another.  Ironic and painful as it was, it took man’s near destruction of the earth to bring about a new relationship between man and animal as it was in the beginning of time.

The Rider has not survived in the new world these past 5 years because of his strength, or because of things taken.  He has survived because of relationships.  Primarily a relationship with his bear and with nature.  These things, which were seen as weak and useless before, have now become what is held most precious in the dark days.

21
Feb

Filmmaker Eric Becker

Posted by / Filed under Personal Work

Portrait of filmmaker Eric Becker by photographer John Keatley.

This is a portrait I recently shot of my good friend and colleague Eric Becker, who is a director / documentary filmmaker.  For over a year, Becker has been working on his film, Sound & Vision, which “explores issues facing the nearshore environment. It is a film about the oceans, told through the stories of people working to clean up, protect, and restore habitat in Puget Sound and beyond. The film is scheduled for release this fall.”  I really like this portrait, because it hints at the chaos of documentary filming, while capturing the beauty of the Puget Sound that Becker’s film strives to preserve.

I was lucky enough to see the film at a pre-screening not too long ago, and it is really beautiful.  Not your typical everybody freak out, we have a problem documentary, but one that explains a problem and offers hope, as well as a call to action.

As I mentioned in my last blog post, Becker and I will be leaving for the Philippines with Arts Aftercare next week.  I can’t believe it’s almost time to go.

Retouching by Gigantic Squid.

error: